Electric Review

Culture & Criticism Since 2003

Mister Mercedes

MR. MERCEDES. Stephen King. Scribner.

Cover art courtesy of Scribner.

Cover art courtesy of Scribner.

I got a copy of Mr Mercedes from a friend, along with the following note: “I have always had a love/hate relationship with Stephen King. King’s early novels and short stories tended to be well written with just the right blend of horror and funk. Then, Mr. King became a writing machine and his output became hit or miss. […] I was not overly optimistic.

“Once again King proved me wrong. Mr Mercedes reminds me of his earlier works. I also suspect that he may have fallen off the wagon because this book is dark. I mean deep, deep, dark like the vacuum of space.”

Well, King excels at ‘dark’. Regular readers of King have as many different words for ‘dark’ as Inuit tribes supposedly have for ‘snow’. Grim, sick, disturbing, bleak…

…and spellbinding. The quality of King’s work has varied, but he always has that ‘gotcha’ moment. You keep reading, because this is a King story, and there’s no reason to suppose the two planes are going to swerve at the last minute and miss each other, and certainly no reason to suppose that all (or even any) of the ‘good guys’ are going to be alive by the time to get to the back cover and find a picture of King laughing his ass off at you because he’s done it to you again.

In this one, a retired cop and his unlikely companions are on the trail of a mass murderer who may be planning to strike again, on a much grander scale. Sounds formulaic if not trite, but it isn’t. This is King.


I advise to avoid reading it in the dark if you want to sleep afterward.

by Bryan Zepp Jamieson

© Bryan Zepp Jamieson. All rights reserved.

Zepp Jamieson was born in Ottawa, Ontario, and spent his formative years living in various parts of Canada, the UK, South Africa and Australia before finally moving to the United States, where he has lived for over 40 years. Aside from writing, his interests include hiking, raising dogs and cats, and making computers jump through hoops. His wife of 25 years edits his copy, and bravely attempts to make him sound coherent. Reach him through The Electric Review.


2 comments on “Mister Mercedes

  1. bookshelfbattle
    June 24, 2014

    Stephen King is such a great author and so prolific. Doctor Sleep last year and now Mr Mercedes this year. I’ve been trying to find the time to read this one, it looks pretty good. After all this time, he hasn’t lost his edge.

    Anyway, like your blog, I’ll come back to check it out more. I’m new to book blogging, feel free to check me out at:


  2. Pingback: Mr. Mercedes | Zepp Jamieson's Ficton

Talk to Rat:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s


This entry was posted on June 24, 2014 by in 2014, In the Spotlight, June 2014, Rat On Fiction & Nonfiction and tagged , , .
In accordance with FTC Guidelines on blogging and product reviews, The Electric Review discloses that the books, records, DVDS and other products reviewed are submitted to us by publishers, record labels, publicity firms, artists, manufacturers and creators free of charge. The Electric Review further states that these entities and individuals submit materials to us of their own volition and understand that the submission of material is for discretionary consideration by the Editor and is not to be construed as to be in ‘exchange’ for a review.
The Electric Review does not serve as a ‘for-hire’ advertising vehicle and the submission of material for review creates no agreement either express or implicit requiring us to provide comment on a book, record, film, product or event. In sum, The Electric Review accepts no payment for the publication of a review. Instead, commentary is published as a free public service with reviews based solely on merit and the lasting classroom or cultural value of a given work: this compendium of essays meant to serve as an electronic library and on-going teaching resource surveying the 21st-century landscape.
Website copyright: John Aiello & The Electric Review. All rights reserved.
Violations of this notice are subject to sanction under United States Code: Title 17.
Reproduction of material from any Electric Review pages without the written permission of John Aiello or the named author is strictly prohibited.
%d bloggers like this: