Electric Review

Culture & Criticism From the Far Distant Realms

Cards4Kids & In-Concert Cinema

Cards4Kids: Stimulating Creativity In Children

A new project just launched by C2Media (in partnership with Nickelodeon and just in time for the holidays) looks to promote a change in the way that kids approach celebrating the special moments of their lives. Cards4Kids features a selection of 18×24 poster-size cards reproducing the likenesses of “Sponge Bob Square Pants,” “Avatar,” and “Dora The Explorer” — images that have captivated the hearts and minds of millions of children throughout the world. In essence,Cards4Kids allows children the chance to move away from impulses of blind materialism: Rather than go to the store and buy a big bag of objects, these poster-size cards encourage kids to explore different methods and mediums on a journey that eventually leads them to express what they are feeling. However, rather than trying to push youngsters into premature adulthood, Cards4Kids uses a wide-selection of the best-known faces from Nickelodeon to help kids create their own greeting cards, with personalized messages built from their own words and made to fit the theme of the occasion. This idea is of particular importance at Christmas time, as it serves to call kids’ attention away from the material aspects of the shopping center – an inventive way to teach children new ways to communicate and interact with their peers. In the end, Cards4Kids is about making a less materialistic statement about the world – promoting a personal expression of artistry/creativity without sacrificing any of the ‘fun of being a kid.’

by John Aiello

Showcasing MVD: Setting the Standard For In-Concert Cinema

“MVD” stands for Music Video Distributors, a Pennsylvania-based company dedicated to the production of music-related media and specializing in the distribution of music DVDs to the world market.

It’s true that most video companies have a music-based line of product, but MVD has set itself apart from the competition by virtue of theattention it pays to its artists. Once MVD commits to a project, it does not do so with half focus, but instead, vigorously promotes and publicizes each new release, like the spirits of Chet Helms and Bill Graham suddenly reincarnated, this vision to bring the music back to the people in an ultra-personal and specialized form.

In essence, many video distributors use music releases to fill up their catalog — the genre is ancillary and not central to their product list, a ‘filler’ that plays second fiddle to the drama shelf and the sci-fi section. However, with MVD, music is the very centerpiece of the jewel, and its energies are invested in the task of bringing the real-time concert experience to the controlled setting of your living room.

MVD, now 20 years old, was founded in 1986 on the heels of the “MTV Generation” by Tom Seaman (an industry veteran with more than 40 years experience in the field). Seaman came to the create MVD after stints with Record Hunter, Sam Goody, Musicland, CBS Retail, and Jem Records — this varied background offering him the unique opportunity to see into the living heart of the music business from myriad perspectives.

Initially, Seaman’s MVD acted primarily as a “one-stop,” buying up other labels’ music-related VHS releases and reselling these products to music and video stores. However, as technology changed and the scope of the market grew, MVD moved head-long into DVDs, using its strong relationships with the whole of the business (content holders, labels, artists, management) to become a name that’s now synonymous with music-cinema.

Upon its genesis in the mid 1980s, MVD committed itself to forging new roads, stepping out, enriching the depth of its catalog with gems culled from the American music scene. To this end, more changes loom on the horizon:

“We are launching an audio division next week” [June 12, 2006], MVD Chief Operating Officer Ed Seaman says with a deep mix of pride and enthusiasm. “We’ve done a great job [on the film end of the spectrum], and we have the infrastructure wholly in place, so now we’re finally making the leap to distribute CDS — the content to be driven by our suppliers in the Music DVD world.”

Over the past two decades, MVD has released some 500 music DVDs, with so many high-points it is almost unfathomable. Notable selections include CLASSIC RHYTHM & BLUES VOLUMES 3 AND 4; THIRD WORLD – “Music Hall in Concert;” JOHNNY GUITAR WATSON – “Music Hall In Concert;” BOB DYLAN – “1975-1982: Rolling Thunder and The Gospel Years;”and the forthcoming selection by the ROLLING STONES – “Under Review 1962 – 1966.”

In addition to its work as an internationally recognized distributor, MVD also develops and releases its own music DVD content, both creating and circulating what has become a unique component to the realm of 21st-century art.

For MVD, the future only seems to be about the music, about rehoning the best elements of its own past:

“As we go forward,” notes Seaman, “we want to keep doing everything we have been doing from day one – filming new concerts, uncovering and releasing more archive materials;plus, we intend to keep working on finding and clearing materials on previously undocumented bands. Our mission is to keep finding sources of great music and deliver what people really want.”

See mvdb2b.com for more information on DVDs.

by John Aiello

Advertisements

Talk to Rat:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Information

This entry was posted on February 1, 2007 by in 2007, Books, February 2007, Quick Picks and tagged , .
In accordance with FTC Guidelines on blogging and product reviews, The Electric Review discloses that the books, records, DVDS and other products reviewed are submitted to us by publishers, record labels, publicity firms, artists, manufacturers and creators free of charge. The Electric Review further states that these entities and individuals submit materials to us of their own volition and understand that the submission of material is for discretionary consideration by the Editor and is not to be construed as to be in ‘exchange’ for a review.
The Electric Review does not serve as a ‘for-hire’ advertising vehicle and the submission of material for review creates no agreement either express or implicit requiring us to provide comment on a book, record, film, product or event. In sum, The Electric Review accepts no payment for the publication of a review. Instead, commentary is published as a free public service with reviews based solely on merit and the lasting classroom or cultural value of a given work: this compendium of essays meant to serve as an electronic library and on-going teaching resource surveying the 21st-century landscape.
Website copyright: John Aiello & The Electric Review. All rights reserved.
Violations of this notice are subject to sanction under United States Code: Title 17.
Reproduction of material from any Electric Review pages without the written permission of John Aiello or the named author is strictly prohibited.
%d bloggers like this: