Electric Review

Culture & Criticism Since 2003

“Saxophone Man”

I.

Van Morrison wailed

(his)

Lips in

To long

White flowers

(blew)

His saxophone

Into the

Electric lungs

Of song

(the)

Rippled feathers

Of echoes

(come)

Alive to talk

(the)

Metal comes alive

To resonate

New notes

(vital)

Dark electric being

(made)

Music for

(these)

Plastic masses

(gave)

Our souls

A chance

To feed

And weep

(until)

He grew tired

Of talking

(when)

He put down

His horn

(ambled)

Into the tongues

(of)

The invisible light

(rear)

Of the stage

II.

“Inspired tonight –

The Moon

Come alive

(living)

Inside the

Mystical tongues

(at)

The bottom mouth

Of his horn”

III.

Van Morrison

At the Masonic

(old)

Town San Francisco

(listened)

To the fog

Horns blow

At dusk

(until)

He answered

(the)

Milky webs

(of)

His own song

(said)

“The healing

Has begun”

(shared)

His stage

In the name

Of grace

(reborn)

In the

True mercy

Of beauty

(the seams)

Of his eyes

(tore)

Open and split

(in)

To soft

Satin pockets

(rivers)

Over-flowed

In velvet

(sparkled);

And again:

His eyes split

At the corners

(revealed)

The true

Heart motive

Of the sun

(the moon)

In her infancy

(splintered)

Into brave embers

(crazy)

Cool orange pools

(mid)

Night across

The holy roads

Of the sky

(drank)

Up the hour

(until)

Echoes shivered

(down)

The thirsty claws

Of our mouths

(shivering)

Down the

Wooden stairs

Of our spines

(crossing)

A long hallway

Of mountains

(and again):

IV.

Blew his saxophone

And sang

(the spit)

Hangs mid-air

In vacant clots

(spittle)

Through the

Holy canyons

Of his lips

In a burst

Of crackles

(and)

The threads

Of words hiss

(saxophone)

Howls at dawn

(came)

In a crash

(rubble)

And bones

(now)

No more

(and thus)

The stars

Were born

(burning)

To drown

(drowning)

In warm pools

Of God’s blood

(this)

Is the core

(electric)

Pure unbridled

(blood)

And meaning

Of the music

(Van)

Morrison at

The Masonic

(old)

Town San Francisco

(blew)

The saxophones

Of dawn

(in)

To this

Perfect shawl

Of moon beams.

by John Aiello

April 3, 2004, San Francisco, California, following Morrison’s performance at The Masonic Auditorium

Advertisement

Talk to Rat:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

Information

This entry was posted on July 1, 2004 by in 2004, July 2004, Poetry and tagged , , , .
In accordance with FTC Guidelines on blogging and product reviews, The Electric Review discloses that the books, records, DVDS and other products reviewed are submitted to us by publishers, record labels, publicity firms, artists, manufacturers and creators free of charge. The Electric Review further states that these entities and individuals submit materials to us of their own volition and understand that the submission of material is for discretionary consideration by the Editor and is not to be construed as to be in ‘exchange’ for a review.
The Electric Review does not serve as a ‘for-hire’ advertising vehicle and the submission of material for review creates no agreement either express or implicit requiring us to provide comment on a book, record, film, product or event. In sum, The Electric Review accepts no payment for the publication of a review. Instead, commentary is published as a free public service with reviews based solely on merit and the lasting classroom or cultural value of a given work: this compendium of essays meant to serve as an electronic library and on-going teaching resource surveying the 21st-century landscape.
Website copyright: John Aiello & The Electric Review. All rights reserved.
Violations of this notice are subject to sanction under United States Code: Title 17.
Reproduction of material from any Electric Review pages without the written permission of John Aiello or the named author is strictly prohibited.
%d bloggers like this: