Electric Review

Culture & Criticism Since 2003

“A Bull In the Garden”

Original watercolor by Eric Ward, © 2024. All rights reserved.

If your life is burning, well then poetry is just the ash.

Leonard Cohen

Words.  God, I love them.  Unpredictable.  Knotted.  Liquid.  Percussive. Baked and flat.  Round.  Grainy.  Leached and slim.

And the silences.  I love them more than words.   Empty.  Heavy.  Thorned.  Sometimes taut.  Sometimes fat.  Glassy and stilled.  Ridged.  Slicked.  Stuffed and flexed.

I wrote my first poem when I was 4.  I would like to say it was mensa material, but frankly, it was terrible.  What I still marvel at is that I was always drawn to this form of expression.  I didn’t know what a poem meant but I loved it purely.  The value of words, their weight, their counterweight.  The vowels, the bones, the muscles.  Weeding through the fat.  Now, I recalibrate daily to stay as much as possible in that original love.  To resist wanting to control the words.  It’s a fight to not domesticate the poem.

Process.  Every time.  Walking into each poem, the moment can turn out to be as small as a second and as big as a bull ring.  For me, it always feels like a blood sport.  Primal but epic.  Personal yet external.  Once I exhaust myself, I can slide into surrender.  Finally, I can give in to the release that builds when you let the poem rise up.  Sometimes it hunts me.  Sometimes it wades.  Sometimes it’s a whisper that I have to grab the tail of and wrestle down.  I like the surprise and letting the alchemy take over.

And then of course, there is the poem that resists me.  For months, I keep catching glimpses.  I know it’s there.  It’ll make eyes at me and poof, it’s gone.  Occasionally, it will come back.  And when it does, I have to be ready for it.  I have to be a snake charmer, very still and seductive, to trap it while it’s doing its dizzy dance.

After that, comes surgery.  Not always but often.  The pruning but not over pruning.  I mustn’t carve out its heartbeat.  That has to stay wild, untamed.  The poem must maintain its ineffable urge that brought it from a thought spark to paper.

And finally, comes the selfishness.  Poetry is my high.  I’m an addict.  Greedy for words.  And even more greedy to be unlocked.  To feel like I’m sitting in the lap of life. In sync.  With secrets dropping from the sky.   I want to burn up life.   And poetry is just the ash.

You see, I want a lot.
Maybe I want it all:
the darkness of each endless fall,
the shimmering light of each ascent.

Rainer Maria Rilke

by Elena Evangelo

“A Bull in the Garden” was originally published at Metremaids.com,  April 21, 2012. Reprinted by permission of the author.  © 2012 & 2023. Elena Evangelo. All rights reserved.

Actress Elena Evangelo was raised in New York City’s Chelsea District, later graduating from Vassar College with a B.A. in English and French. Following her undergraduate program, she received an  M.F.A. from the USC School of Cinematic Arts, winning The Jeffrey Jones Screenwriting Scholarship and The Ray Stark/Ted Turner MGM Award while studying there. Her film credits include G.I. Joe: Rise of Cobra, Siren and Purpose. Her television credits include roles on Justified, Revenge, Body of Proof, CSI Miami, NYPD Blue, 90210 and Monk. Currently, she continues to produce and direct films.

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This entry was posted on September 20, 2024 by in 2024, Features & Profiles, Poetry, September 2024 and tagged .
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